搜索结果: 1-15 共查到“文学 lost”相关记录42条 . 查询时间(0.031 秒)
“What Is Out of Sight Is Lost Forever?”-Lessons from the Johnsonian Tradition
Out of Sight Lost Forever Johnsonian Tradition
2016/1/20
“What Is Out of Sight Is Lost Forever?”-Lessons from the Johnsonian Tradition.
Enhanced processing of a lost language: Linguistic knowledge or linguistic skill?
discrimination Korean Japanese
2015/12/18
Same-different discrimination judgments for pairs of Korean
stop consonants, or of Japanese syllables differing in phonetic
segment length, were made by adult Korean adoptees in the
Netherlands,...
Low-level features in film:What they are and why we would be lost without them
Low-level features film lost without them
2015/8/13
The narrative of a fi lm is oft en cited as the driving force for viewers’ attention to and engagement in a fi lm. Th e narrative is also conceptually the most vivid for fi lm viewers; it is not oft e...
A Statistical Model for Lost Language Decipherment
Language Decipherment Statistical Model
2014/11/26
A Statistical Model for Lost Language Decipherment。
Details of A.M. Klein's interactions with the John Simon Guggenheim Foundation1 are confusingly reported by Usher Caplan in Like One That Dreamed. According to Caplan, Klein was encouraged by A.J.M. S...
Funny How Secrets Travel: David Lynch’s Lost Highway
Funny How Secrets Travel David Lynch’s Lost Highway
2009/11/27
David Lynch’s 1997 film Lost Highway is haunted by the specter of Alfred Hitchcock’s Vertigo (1958), itself a ghost story on many levels.2 In Lost Highway, the spectralizing effects of recording and c...
'Speculation on Spoilers:Lost Fandom,Narrative Consumption and Rethinking Textuality'
television online fandom narrative paratexts viewer phenomenology qualitative survey
2009/11/27
This paper studies the practice of “spoiler fans” of the TV show Lost, who seemingly short-circuit the program’s narrative design by seeking out advanced plot points online. Drawing from an online qua...
Grader of the Lost Sharks:Warren Buckland Considers Spielberg’s Overlooked ‘Monster’Movies
Lost Sharks Warren Buckland ‘Monster’Movies
2009/11/25
Warren Buckland opens his perceptive monograph on Steven Spielberg’s blockbusters by
explaining what it is not. Neither biography, production history, nor even an interpretative
analysis of Spielber...
Lost and Found: S. Bing's Merchandising of Japonisme and Art Nouveau（图）
Lost and Found S. Bing's Merchandising of Japonisme Art Nouveau
2009/11/20
From the moment of S. Bing's death, in September 1905, a curtain of obscurity fell on what was known until a renewed interest in art nouveau in the nineteen sixties brought the name Bing back into pro...
This paper describes the creative and critical contexts that inform the interpretation of artifacts created during art practice, which are contextualized and interpreted as evidence for some phenomeno...
‘They've Lost their Footing’, ‘Unintended Consequences’, ‘In The Memory of the Forest’, ‘Origins of Flight’, ‘Hunting and Gathering’, ‘Grassland’
Unintended Consequences Origins of Flight Hunting and Gathering Grassland
2009/7/27
It really should be titled Three Ladies Who Could, but ODC did have its thirty-eighth season for the past two weekends at Yerba Buena Center's Novellus Theater, featuring dancers who have come to work...
Loves Labours Lost—Act 5, Scene 1: The city gate
Shakespeare 莎士比亚 Measure for Measure 一报还一报
2008/9/22
MARIANA veiled, ISABELLA, and FRIAR PETER, at their stand. Enter DUKE VINCENTIO, VARRIUS, Lords, ANGELO, ESCALUS, LUCIO, Provost, Officers, and Citizens, at several doors
DUKE VINCENTIO
My ver...
Loves Labours Lost—Act 4, Scene VI: Street near the city gate.
Shakespeare 莎士比亚 Measure for Measure 一报还一报
2008/9/22
Enter ISABELLA and MARIANA
ISABELLA
To speak so indirectly I am loath:
I would say the truth; but to accuse him so,
That is your part: yet I am advised to do it;
He says, to veil full purpose...
Loves Labours Lost—Act 4, Scene V: Fields without the town
Shakespeare 莎士比亚 Measure for Measure 一报还一报
2008/9/22
Enter DUKE VINCENTIO in his own habit, and FRIAR PETER
DUKE VINCENTIO
These letters at fit time deliver me
Giving letters
The provost knows our purpose and our plot.
The matter being afoo...
Loves Labours Lost—Act 4, Scene IV: A room in ANGELO’s house
Shakespeare 莎士比亚 Measure for Measure 一报还一报
2008/9/22
Enter ANGELO and ESCALUS
ESCALUS
Every letter he hath writ hath disvouched other.
ANGELO
In most uneven and distracted manner. His actions
show much like to madness: pray heaven his wisd...
