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Ficino's Musica Humana: Musico-Astrological Improvisation
Ficino's Musica Humana Musico-Astrological Improvisation
2014/10/20
The improvvisatore tradition in Florence Italy during the second half of the quattrocento featured poet-musicians who sang poetry for music (poesia per musica) accompanied by the lira (da braccio). Th...
The goal of the thesis is to explain intonation perception and cognition, as well as the vocal mechanism and techniques, to help aural-skills instructors teach vocal intonation skills to students who ...
THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES
THE PRELUDES BACH’S UNACCOMPANIED CELLO SUITES
2014/10/20
This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four mus...
Th affctive properties of keys in instrumental music from the late nineteenth and early twentieth centuries
keys in instrumental music the late nineteenth early twentieth centuries
2014/10/20
The concept of affective properties of keys is based on the assertion that different tonalities are able to provide particular moods to music. Discussions regarding the existence and validity of this ...
"A Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella
A Music Unquestionably Italian in Idiom Nationalism an Evolutionary Process the Music of Alfredo Casella
2014/10/20
Little scholarship exists about the extent of musical nationalism in the works of twentieth-century Italian composer Alfredo Casella (1883-1947). Casella’s output, which is divided into three stylisti...
Memory and Production of Standard Frequencies in College-Level Musicians
Memory and Production Standard Frequencies College-Level Musicians
2014/10/20
This thesis examines the nature of long-term absolute pitch memory—an ability traditionally assumed to belong only to absolute pitch (AP) possessors—by testing for evidence of this memory for “standar...
A Hierarchical Approach to the Analysis of Intermediary Structures Within the Modifid Contour Reduction Algorithm
A Hierarchical Approach Intermediary Structures the Modified Contour Reduction Algorithm
2014/10/20
Robert Morris’s (1993) Contour-Reduction Algorithm—later modified by Rob Schultz (2008) and hereafter referred to as the Modified Contour Reduction Algorithm (MCRA)—recursively prunes a contour down t...
FRANZ LISZT'S SETTINGS OF “WAS LIEBE SEI?”: A SCHENKERIAN PERSPECTIVE
FRANZ LISZT'S SETTINGS WAS LIEBE SEI? A SCHENKERIAN PERSPECTIVE
2014/10/20
Several scholars of Franz Liszt’s music have recognized the revisions of previous works as a central part of his creative output. These revisions have caused considerable debate over how they should b...
Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
THE IMPACT OF RHYTHM AND METER ON FORM IN TWO WORKS BY DAVID MASLANKA: MOTHER EARTH: A FANFARE (2003) AND SYMPHONY NO. 8 (2008)
RHYTHM AND METER TWO WORKS BY DAVID MASLANKA MOTHER EARTH A FANFARE SYMPHONY NO
2014/10/20
For pieces that do not lend themselves to an analysis of form based completely on tonal harmony and thematic material, an analysis based on rhythm and meter can enrich the reading of a piece and prove...
A Geometrical Approach to Two-Voice Transformations in the Music of Bela Bartok
A Geometric Approach Two-Voice Transformations the Music of Bela Bartok
2014/10/20
A new analytical tool called “voice-leading class” is introduced that can quantify on an angular scale any transformation mapping one pitch dyad onto another. This method can be applied to two-voice, ...
论歌剧音乐剧剧本文学研究的学科归属
歌剧音乐剧史论 歌剧音乐剧文学创作理论 综合舞台艺术 音乐学 艺术学
2013/8/6
在现行艺术教育制度和艺术学学科分类格局下，歌剧音乐剧史论研究及其文学创作理论研究在学科归属上遭遇尴尬。其实，歌剧音乐剧剧本文学理论理应是音乐学学科群落中一个当之无愧的新成员；在理想状态下，它理应成为一级学科“艺术学理论”的第四个二级学科“舞台综合艺术学”项下三级学科“歌剧音乐剧史论及批评”的一个研究方向———“歌剧音乐剧剧本文学研究及批评”。从而令其有一个名正言顺的栖息地，为它的健康成长提供一个可...
音乐剧音乐的风格属性和取向
音乐剧音乐 风格属性 取向
2013/8/6
音乐剧( Musi cal ) 俨然已成为世界戏剧艺术舞台上的“王者”。在英国伦敦西区和美国纽约百老汇, 每天都有几个甚至十几个不同的音乐剧同时上演。尤其是在纽约百老汇, 经典剧目在此常年盛演不衰, 优秀新作在此隆重首演, 世界各地的音乐剧从业人员和数以百万计的观众蜂拥至此, 使它成为世界音乐剧的创演中心和产业中心。有的音乐剧名著, 不仅在伦敦西区或纽约百老汇常年定点演出, 而且, 同时还会有几个...
克劳德．列维－斯特劳斯：话语与音乐
克劳德．列维－斯特劳斯 话语 音乐
2013/7/4
雅克布逊[i]（R.Jakobson）在60年前曾指出：“用语言学的术语来说，音乐同诗相比较，其特殊在于音乐约定俗成的整体（用索绪尔的语汇来说，即语言）局限于音位学体系，它并不包括音素的词源分布，因而也不包括词汇。”