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Th Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis
Organism in the Original Revised Versions Brahms Piano Trio B Major, Op. 8, Mvt. I Means of Grundgestalt Analysis
2014/10/20
Johannes Brahms’s revision of the B Major Piano Trio, Op. 8, hereafter referred to as the Piano Trio, presents a unique analytical opportunity. By allowing two versions to coexist, Brahms not only gav...
Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
Many Chinese pianists, Lang Lang and Yun-di Li for example, received international recognition in recent years. When study the history of piano study and composing in China, it is not surprising that ...
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As I sat in the luxurious salon of the apartments near the Park, where Mr. and Mrs. Ernest Schelling were spending the winter, sounds of vigorous piano practise floated out to me fro...
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use of beforehand, and a needful, cursory explanation given of them.) That is right; you can tell them pretty well already; now we will repeat once more the names of the keys, and then we wi...
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irth. He then vouchsafed his opinions and entered into a physical and mechanical discussion of the matter, indicating that he had spent hours in getting the whole subject straightened out in...
Skalkottas’s First Suite for Piano, First Movement (1936): From First Ideas to Realization
Skalkottas First Suite Piano First Movement First Ideas
2008/10/24
Even if, in retrospect, one finds too much of a naive pride in Schoenberg's belief that he had given a new supremacy to the German-Austrian tradition for a hundred years to come, it is more and more o...
Principles of Pitch Organization in Scriabin’s Early Post-tonal Period: The Piano Miniatures
Scriabin piano miniatures octatonic scale acoustic scale whole-tone scale pitch substitution genus transformation
2010/3/24
Scriabin’s post-tonal period, which begins around 1909 with Feuillet d’album, Op. 58, is defined by the subtle and sophisticated exploitation of some special non-diatonic sets and their pitch universe...
Movements for Piano and Orchestra（图）
New York City Ballet Movements for Piano and Orchestra
2008/6/23
Photo Paul Kolnik
Music
Movements for Piano and Orchestra (1958-1959) by Igor Stravinsky
Choreography
George Balanchine ? The George Balanchine Trust
Premie...
Photo Paul Kolnik
Music
Piano Concerto No. 17 in G by Wolfgang Amadeus Mozart
Choreography
Peter Martins
Premiere
May 19, 1994, The Diamond Project ...
Concerto for Piano and Winds (1982)（图）
New York City Ballet Concerto for Piano and Winds (1982)
2008/6/20
Photo Martha Swope, Courtesy of New York City Ballet Archives
Music
(1924) by Igor Stravinsky
Choreography
John Taras
Premiere
June 10, 1982, New Yor...
Eros Piano（图）
New York City Ballet Eros Piano
2008/6/20
Photo Paul Kolnik
Music
Eros Piano by John Adams
Choreography
Peter Martins
Premiere
June 2, 2004, New York City Ballet, New York State Theater
...
Music
Etude in C-sharp major, Op. 8, No. 1 (1894) by Alexander Scriabin
Choreography
George Balanchine ? The George Balanchine Trust
Premiere
June 4, 1977, S...
Photo Paul Kolnik
Music
Concerto in F (1925) by George Gershwin
Choreography
Jerome Robbins
Premiere
February 6, 1982, New York City Ballet, New Yor...
Tschaikovsky Piano Concerto No. 2（图）
New York City Ballet Tschaikovsky Piano Concerto No. 2
2008/6/18
Photo Paul Kolnik
Music
Piano Concerto No. 2 in G, Op. 44 (1879-80) by Peter Ilyitch Tschaikovsky
Choreography
George Balanchine ? The George Balanchine Trust
...
